Passionate about interrogating, developing and devising new Australian work, Tim trained at the Western Australian Academy of Performing Arts and works as a writer, director, dramaturge and a devising theatre maker.
Tim is currently a commissioned writer for both the Queensland Theatre Company adapting Trent Dalton’s Boy Swallows Universe, and by the Australian Chamber Orchestra (ACO) adapting and directing a new work based on Margaret Wild’s awarding winning There’s a Sea in My Bedroom.
In 2018 he stepped in as interim Director on Caleb Lewis’s Maggie Stone for the Eternity Playhouse, and wrote and directed Music for the Dreaming, a collaboration between ABC Classic FM and Sydney Opera House Presents. Tim also directed the ABC Classic FM/SOH Sounds like Australia earlier in 2018. He devised a new work for the SSO with Simon Tedeschi Who Needs A Conductor Anyway which premiered in March 2018. Tim was engaged by CDP to translate and write additional content for the Australasian version of Spot the Dog, set to tour nationally in 2019.
Between 2005-2017 Tim was a Creative Director and Producer at Monkey Baa Theatre Company, one of Australia’s largest touring companies for young audiences, where he co adapted and produced nearly 20 new Australian works, including the award winning Jackie French’s Hitler’s Daughter and Sonya Hartnett’s Thursday’s Child. Tim directed multi award winning The Peasant Prince – The True Story of Mao’s Last Dancer, which toured 36 theatres nationally. He assistant directed on Tim Winton’s The Bugalugs Bum Thief and was the remount Director on The Unknown Soldier, a new Australian play written by Sandra Eldridge. In 2017 he worked as dramaturgical consultant on Randa Abdel Fattah’s Where the Streets Had a Name.
In 2013 Tim was engaged by CDP Producers to write and direct several works for the Sydney Opera House Baby Proms Program including Swing Baby Swing featuring Wayne Scott Kermond and The Nutcracker (co directed with choreographer Adrian Burnett). He co-devised The Pirate Ship (script) for Urban Myth Theatre Company SA, A More Fortunate Life for Theatre Ink and EscapAIDS for the One Night Stand Theatre Company, a work which targeted both young people at risk and the WA prison population about HIV AIDS. He devised a new work for the SSO Education with Simon Tedeschi called Who Needs A Conductor Anyway , which premiered in 2018. In 2015 Tim dedicated time to formally study stage direction under Imara Savage (NIDA Open Program).
Winner 2016 Sydney Theatre Award Best Production for Children for The Peasant Prince – The True Story of Mao’s Last Dancer (Director)
Winner 2016 Glug Award Best Production for Children for The Peasant Prince – The True Story of Mao’s Last Dancer (Director)
Winner Helpmann Awards for Thursday’s Child and Hitler’s Daughter (Writer)
Helpmann Award Nomination for Pete the Sheep (Writer)
Winner 2019 Sydney Critic’s Award (Writer) for Diary of A Wombat